Watch Out for Yellow Snow 7/17/98) |
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The Southern connection continues, as Don't Get Too Comfortable was recorded in Nashville in the studio of Brad Jones. Jones helped make Happy Town by Jill Sobule one of 1997's brightest releases, and encouraged Pee Shy to employ a broad array of instruments in a disarming pop setting. (In addition to his production work, Jones has played bass for such artists as Marshal Crenshaw, Matthew Sweet, and Ron Sexsmith). Don't Get Too Comfortable features 11 spritely pop numbers, including "Mister Whisper" and "Bathroom Floor" (which opens with a clarinet). Other solid cuts include the wry, "Some Day Soon," and the sparkling, "Much Obliged." Pee Shy continues the trend of slacker generation, off-the-cuff (and sometimes in-your-face) pop. Enjoyable and challenging (though not at the level of Natalie Merchant's lyricism), Don't Get Too Comfortable deserves a spin.
A child of two cultures, Kravitz grew up half-Bahamian, half-Jewish in Manhattan and Brooklyn. His first release was 1989's acclaimed, Let Love Rule. On the new album, Kravitz continues to explore his horizons. Says the artist, "Even though I've been making records professionally for nine years, this time I'm making music again as if it's my first album. No preconceptions. No expectations. I'm just flowing." The result is such smooth cuts as "Thinking of You" and "Supersoulfire." Kravitz also indulges his rocking side on such cuts as, "It's Your Life." For 5, Kravitz is again joined by Craig Ross on guitar and horn players Michael Hunter and Harold Todd. A skilled soulmeister, Lenny Kravitz has proven his chops. Fans will enjoy 5.
Which is a shame, because Croce has an engaging vocal style, and a solid circle of musical connections. His self-titled debut was a jazz-piano-oriented effort, with production by T-Bone Burnett. For his outstanding second release, That's Me at the Bar (1995), Croce enlisted noted session man, Jim Keltner and host of renowned L. A. session men (including Waddy Watchell and guitarist Ry Cooder) for a smokey, soulful release that never got the press it deserved.
Fit to Serve pulls in several directions. Thus, songs like "Texas Ruby" and "Too Late" have an up tempo, playful feel, while "Uncommon Sense" and "Lover's Serenade" build on the contemplative, piano-orientated previously embraced by Croce. Croce also embraces the swinging Memphis sound on such tracks as the horn-flavored "I Don't Mind." A. J. Croce is a talented fellow, but finds himself without a musical rudder. With better guidance, Croce could have a successful career. - Randy Krbechek © 1998 ( www.cdshakedown.com ) |
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